The Seven Mistakes of D’Banj (See)
In the last few years, D’Banj was arguably the most celebrated
Nigerian artiste alive. Over seven years, he kept churning out hits and
bestrode the music scene like a colossus.
But few months after his break up with his producer and partner of the defunct Mo’Hits Records- Don Jazzy, things began to nosedive and his relevance began to wane.
Since the breakup in 2012, he has worked with four different managers
and management companies ranging from Seun Abisagboola popularly known
as Bankulli, Tonye Merrit, Tony Nwakalor and Sunday Are of List
Entertainment, his manager in the Mo’Hits era. What we can’t however
comprehend is whether these managers could no longer wave the magic wand
effectively enough to yield the very badly needed effect to catapult
D’Banj’s career to a most enviable height.
However, it might not be far from the truth to say that D’Banj is the
architect of his own misfortune. This week, Seun Apara attempts to
examine the dwindling fortunes and career of the pop star and his many
struggles to regain reckoning in the spotlight.
1• Capacity
It is an obvious secret that D’Banj lacks the capacity to single
handedly write a good song but he is no doubt a great entertainer. His
performances are always full of great energy and exude lots of
confidence. He is unarguably a superb performer. Beyond that, what is
the essence of sweating it out on stage when the fans are obviously not
connecting with the music?
It has been observed that D’Banj doesn’t have the ability to write to
the maximum capacity of an ideal song. He only writes catch phrases
that match his somewhat mediocre vocal strength so that he can
confidently express it. And with a voice that is limited, the song also
becomes limited. Aside the fact that his songs now sound monotonous,
they are written and performed within the same style, similar dynamics
and similar expression. A common feature in his music of recent is that
he sings the entire song at a similar pitch and similar emotional
intensity unlike the good old Mo’Hits days. While his relationship with
Don Jazzy subsists, Jazzy reportedly composed over 90% of the songs they
recorded. To however cover up for his lapses, one would have expected
him to immediately enlist the services of a good songwriter or develop
his own capacity. His last major hit still remains Oliver Twist, his
last song produced by Don Jazzy.
2• Phony Hype
Most entertainment practitioners’ lifestyles do not actually reflect
their true personalities. Immediately after the Mo’Hits break up, Mr.
Dapo Oyebanjo dwelled so much on the hypes of his international
breakthrough record deals like; Good Music, Def Jam, Mercury, the
license to bring DefJam to Africa (the African arm of Island Def Jam
which is under the parent company Universal Music Group and home to some
of the biggest superstars on the planet) and later Sony Music, RCA. In
an industry where water is made to look like wine and stone is polished
to resemble bread, he was so concerned about the money, the fame and
the respect. The Universal deal was a good development but he was
oblivious of the imminent danger ahead. And now, the power notes don’t
become loud. It is not because he can’t sing them without screaming, but
because of emotional artistic expression.
3. Short Term Plan Immediately after the break up,
D’Banj and his then team were majorly concerned about the immediate
effect of the break up and tried hard to dissuade the obvious reality
that Don Jazzy was behind most of his hits. While Don Jazzy took his
time to work on the Mavin Brand, struck deals with the artistes and went
on silently to record songs that later became hits, D’Banj hurriedly
released some songs too and basked in the euphoria of the momentary hype
of his international deals. Seven months after, there was nothing else
to talk about as all the gists had been exhausted.
4• Right Team
As part of his short term plan, Mr. Oyebanjo failed to put together
the right team in terms of making good music such as song writing and
production. One would have expected his team to immediately bring on
board a producer/production team or songwriter to immediately understudy
Don Jazzy’s effect on D’Banj’s music and see how it could be improved
upon. This might have helped in the type of music churned out by him.
Being a musician involves composing, writing, singing, playing,
arranging, recording, producing, mixing, mastering, promoting,
performing and lots more.
5• STYLE
There is no doubt that D’Banj has lost the steam in his career. According to a reporter, Samuel Abulude, he wrote that “It
is worthy of note that D’Banj’s current music is different and of less
quality since his former music producer, Don Jazzy stopped producing his
music. Djs and observers of the Kokomaster have seen a detour in
D’Banj’s style of music and this is perhaps why he is seen as missing
his former boss and business partner. Comedians have joked that anything
Don Jazzy touches turns to gold (a hit) and that D’Banj needs him again
for this”.
6• Direction
His fans at some point were lost as regards the direction of his
music. Before then, especially in the Mo’Hits days, fans and critics
alike knew exactly what to expect from D’Banj. As earlier observed, a
voice that is limited will automatically produce a song that is limited.
A common feature in his music of recent is that he sings the entire
song at a similar pitch and similar emotional intensity unlike before.
Right now, some critics in the industry feel that he needs to develop
greater strength and it’ll be remarkable how much more interesting his
song and expression will become. Creativity prevails for the
songwriter, when he or she possesses adequate vocal strength and
dexterity to express with. If he can develop his range, his song writing
skills becomes bolder and more interesting.
7• The Harmonica
D’Banj sure knows how to play one instrument very well with lots of
dexterity, the mouth organ otherwise known as the Harmonica. He has made
use of it on few occasions but has not been consistent with it. The
instrument might have given some form of solace to most of his hitherto
disappointed fans
Dbanj is still doing well in the music industry. Ten years in the music business and still pulling crowd is no joke.
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